| The Theatres of Morocco, Algeria and Tunisia: Performance Traditions of the Maghreb K Amine, M Carlson Springer, 2011 | 87 | 2011 |
| Crossing Borders, Al-halqa Performance in Morocco from the Open Space to the Theatre Building K Amine TDR/The Drama Review 45 (2), 55-69, 2001 | 52 | 2001 |
| Theatre in the Arab world: A difficult birth K Amine Theatre Research International 31 (2), 145-162, 2006 | 36 | 2006 |
| Al-halqa in Arabic theatre: An emerging site of hybridity K Amine, MA Carlson Theatre Journal 60 (1), 71-85, 2008 | 34 | 2008 |
| Moroccan Theater: Between East and West K Amin Club du Livre, 2000 | 26 | 2000 |
| Re-enacting Revolution and the New Public Sphere in Tunisia, Egypt and Morocco1 K Amine Theatre Research International 38 (2), 87-103, 2013 | 25 | 2013 |
| After the ‘Years of Lead’in Morocco: Performing the memory K Amine New Theatre Quarterly 32 (2), 121-141, 2016 | 16 | 2016 |
| Double Critique: Disrupting Monolithic Thrusts K Amine International Research Center for Advanced Studies “Interweaving Performance …, 2013 | 11 | 2013 |
| Postcolonial Modernity: Theatre in Morocco and the Interweaving Loop K Amine The Politics of Interweaving Performance Cultures, 24-41, 2014 | 10 | 2014 |
| Paul Bowles' Tangier: An Ambiguous Compromise K Amine | 7 | 2005 |
| Decolonizing Theatre History in the Arab World. The case of the Maghreb K Amine Horizons/Théâtre. Revue d'études théâtrales, 10-25, 2018 | 5 | 2018 |
| Islam and the colonial stage in North Africa K Amine, M Carlson Performance and Spirituality 3 (1), 2012 | 5 | 2012 |
| Le théâtre marocain à l'épreuve du texte étranger: traduction, adaptation, nouvelle dramaturgie O Fertat Bordeaux 3, 2008 | 5 | 2008 |
| Moroccan Shakespeare and the Celebration of Impasse: Nabil Lahlou's Ophelia Is Not Dead K Amine Critical Survey 19 (3), 55-73, 2007 | 5 | 2007 |
| Ophelia Is Not Dead at 47: An Interview with Nabyl Lahlou K Amine, N Lahlou Critical Survey 28 (3), 158-165, 2016 | 4 | 2016 |
| IFTR's Arabic Theatre Working Group K Amine, H Azmy, M Carlson Theatre Research International 35 (3), 263-274, 2010 | 4 | 2010 |
| Theatre in Morocco and the postcolonial turn K Amine Textures: Online Platform for Interweaving Performance Cultures, 2009 | 4 | 2009 |
| Shakespeare’s Tragedies in North Africa and the Arab World K Amine | 3 | 2016 |
| Shadow Plays and Costumed Performers K Amine, M Carlson, K Amine, M Carlson The Theatres of Morocco, Algeria and Tunisia: Performance Traditions of the …, 2012 | 3 | 2012 |
| Site Specific Art in Arab-islamic Contexts K Amine | 3 | 2011 |
